Invincible #23
Low-Frequency
Listener (L-FL): Issue twenty-three of Invincible was written by Robert Kirkman, drawn by Ryan Ottley,
colored by Bill Crabtree, lettered by Rus Wooton, and inspired by Cory
Walker. Here’s what happens.
Invincible #23
(I#23): The issue begins with Mark and Amber having sex, and since they
turned out the lights instead of having 24 pages of dark panels, readers
instead follow Allen the Alien. Allen’s
origin story (the only successful genetically created superhero of the Unopan
society) is told. Allen returns to
headquarters of the Coalition of Planets to inform them that a Viltrumite (Omni-Man)
abandoned his post and another Viltrumite (Invincible) possesses no loyalties
to Viltrum. Allen sleeps with and then
has breakfast with his alien girlfriend and is beaten up by two Viltrum
warriors. Surprisingly, Allen lives only
to learn there is a traitor in the Council of Planets. The issue closes with Mark leaving Amber’s
dorm in the morning.
L-FL:
There’s a lot of un-depicted love in this issue. Richard Reynolds wrote “Heroes
and the Superculture” where he put down the idea that “The superhero narrative
was the first (and arguably, so far, the only) new myth to express the expansion
of human action and identity in the post-industrial age.” Reynolds goes on to state, “…[T]he superhero’s
extended powers and complex identity now mirror more than even the era in which
we live. Ordinary people now have
superpowers. The gifts of digital
technology have enabled millions to experience their own ‘confrontation with
the fantastic.’ Average human beings may
now engage with consequences of creating multiple identities and encircle the
planet—if they wish to—with their virtual presence. Celebrities and members o the global
superculture enact these same processes at an even higher level of power and
visibility. Within this celebrity-and
communications-obsessed culture, the superhero can now be seen as the key protagonist
in a vast cycle of mythology that has evolved to express and mediate this
unprecedented expansion of human action and identity.”
I#23: From
the pages of my story, I’d cast a superhero as a powerful being who works to
support and continue the social norms while simultaneously operating outside of
those norms and bending and breaking the norms as desired. So with that definition, readers, may your
comic (or your lover) welcome every morning with the admission that “last night
was perfect.”
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